Ten years on a Georgia plantation since the war Frances Butler Leigh J W L 9781149437513 Books
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Ten years on a Georgia plantation since the war Frances Butler Leigh J W L 9781149437513 Books
Being the daughter of Pierce Butler, the profligate planter scion whose financial incompetence necessitated the liquidation of his family fortunes and the largest slave sale in Georgia history, and of Fanny Kemble, an English actress and fiery abolitionist whose account of slavery in Georgia scandalized anti-slavery audiences in the American North and England, any contribution which Frances Butler Leigh might make to the historiography of slavery is sure to be controversial. And despite its slipshod fact-checking and occasional lapses into race-related farce and melodrama, Ten Years on a Georgia Plantation since the War is a fascinating and essential look into both the material and conceptional identity of the Georgia planter aristocracy after the War Between the States.Culled from letters and personal remembrances, Ten Years offers a very broad survey into what life was like for Frances from her arrival on Georgia's coast in 1866 to her departure in the mid-1870s. This summation consists primarily of broad generalizations, in which Frances offers insight into economic, political, or racial matters, punctuated with in-depth anecdotes. These little episodes are quite fascinating, and deal with subjects ranging from the state of Southern railroads after the War to the musical habits of local freedmen to the Republican political machines operating along the coast. There is a very great deal of valuable and essential information to be gleamed from these episodes, and the included appendix, which consists of letters from Frances' husband, the Rev. James W. Leigh, provide additional tantalizing details about daily life on a post-war rice plantation.
But along with factual details of note, Frances also slips often into the pap of sentimentality. Many of her interactions with kind and doting freedmen seem just a bit too precious, while casual calumnies about the conduct of the freed population abound as well. One feels as though Frances intentionally threw in these little asides to engage the interest of audiences, who were eager for the kind of trivial and clearly fictionalized interactions found in Uncle Tom's Cabin. Thankfully these exchanges tend to be very obvious and can be readily sorted out from the more meaningful reminisces.
I would recommend Ten Years on a Georgia Plantation since the War for any who is interested in daily life in the American South or white perceptions of freedmen in the South. There is an incredible amount of information available in this work, if one is willing to wade through the sensationalism.
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Ten years on a Georgia plantation since the war Frances Butler Leigh J W L 9781149437513 Books Reviews
My wife and I were visiting Florida and Georgia and stopped at the Butler Plantation house on our drive, thus leading to our interest in this book. Fascinating to hear the description of the post civil war times from a former slave/plantation owner and her description of the changing times.
Author's 19th perspective carried me to area where once the planters ruled, and how the area was rocked by the War Between the States, and yet how little the lifestyle of the enslaved peoples was changed.
I have read the book by Fanny Kemble, the great English stage actress, the mother of Frances Butler Leigh, who was so horrified
after having married Pierce Butler and come to live on his rice plantation near Darien, Ga. and his cotton plantation on St. Simons
Island, Ga., that she divorced him. She did, however, have two children by Butler. The daughter who is the author stayed with
her father in Philadelphia in the house he had there during the war. Immediately after the war they went south to reclaim the
plantations, rice and cotton, that were theirs that the Yankee Reconstruction Government had taken away from many coastal is-
land planters. It is a fascinating story of trying to get their plantations up and running again. This daughter doesn't seem to be
as horrified by slavery as her mother was but tells of the former slaves actually being glad to see their former master. It tells of
the trials and tribulations of trying to make their plantations profitable again, and also what all they did to assist their former slaves now that they were free. I highly recommend it.
What an interesting read. As a Southern Coastal resident having visited Darien & the St Simon's & Butler Islands, I found Mrs Leigh's account historically fascinating. There is little left of anything of that era (except for the great brick millhouse chimney that still stands on the property). The rice fields have long since been taken back by the marsh, but the dikes & canals can still be seen in many areas, indeed, all along the coast. To read her accounts of her travels to Savannah & descriptions of the beauty of the marshlands & Sea Islands make me love my home even more.
...It is also interesting to see that some things haven't changed, though.
Being the daughter of Pierce Butler, the profligate planter scion whose financial incompetence necessitated the liquidation of his family fortunes and the largest slave sale in Georgia history, and of Fanny Kemble, an English actress and fiery abolitionist whose account of slavery in Georgia scandalized anti-slavery audiences in the American North and England, any contribution which Frances Butler Leigh might make to the historiography of slavery is sure to be controversial. And despite its slipshod fact-checking and occasional lapses into race-related farce and melodrama, Ten Years on a Georgia Plantation since the War is a fascinating and essential look into both the material and conceptional identity of the Georgia planter aristocracy after the War Between the States.
Culled from letters and personal remembrances, Ten Years offers a very broad survey into what life was like for Frances from her arrival on Georgia's coast in 1866 to her departure in the mid-1870s. This summation consists primarily of broad generalizations, in which Frances offers insight into economic, political, or racial matters, punctuated with in-depth anecdotes. These little episodes are quite fascinating, and deal with subjects ranging from the state of Southern railroads after the War to the musical habits of local freedmen to the Republican political machines operating along the coast. There is a very great deal of valuable and essential information to be gleamed from these episodes, and the included appendix, which consists of letters from Frances' husband, the Rev. James W. Leigh, provide additional tantalizing details about daily life on a post-war rice plantation.
But along with factual details of note, Frances also slips often into the pap of sentimentality. Many of her interactions with kind and doting freedmen seem just a bit too precious, while casual calumnies about the conduct of the freed population abound as well. One feels as though Frances intentionally threw in these little asides to engage the interest of audiences, who were eager for the kind of trivial and clearly fictionalized interactions found in Uncle Tom's Cabin. Thankfully these exchanges tend to be very obvious and can be readily sorted out from the more meaningful reminisces.
I would recommend Ten Years on a Georgia Plantation since the War for any who is interested in daily life in the American South or white perceptions of freedmen in the South. There is an incredible amount of information available in this work, if one is willing to wade through the sensationalism.
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